I’ve always thought that a good courtroom sketch can tell you more about what really goes on in a trial than a transcript or even sometimes than a good firsthand narrative account. A trial is a drama, and sometimes the drama is conveyed better by the expression on the witness’s face, or the body language of the lawyer confronting the witness in front of the judge or the jury, than by the transcript.
If you think this way, or even if you don’t, you will love The Illustrated Courtroom: 50 Years of Court Art, by Elizabeth Williams and Sue Russell. Continue reading Book Review: Elizabeth Williams and Sue Russell, The Illustrated Courtroom: 50 Years of Court Art
I want to veer off-topic to discuss the recent proposal in Israel to declare the state to be the nation-state of the Jewish people. The “Jewish Nation State” proposal has gotten a lot of attention from lawyers and others. It may be a good idea and it may be a bad idea (Israeli citizens are fiercely debating it in the press and in the Knesset), but what I am trying to understand is why it is a controversial idea in principle in light of the self-definition of most states in the region as Arab nation-states (except maybe Iraq, which has a Kurdish region and whose constitution shows American influence, and Iran, which of course is not an Arab state).
Continue reading The Israeli “Jewish Nation State” Bill: Is The Controversy Justified?
Readers, if you are in the Boston area on November 22, come and hear my choir, the Metropolitan Chorale, under the direction of Lisa Graham, present The Ecstasies Above, featuring music of the 20th and 21st centuries that explores the theme of music and the natural world. The two big pieces are Tarik O’Regan’s The Ecstasies Above and Jonathan Dove’s The Passing of the Year. We’ll also be singing Ralph Vaughan Williams’s Serenade to Music and John David’s You Are the New Day.
Continue reading Come Hear The Ecstasies Above!